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Product Safety Recall

Due to safety concerns about the snaps on the Infant Capilene® Midweight Set, we are implementing a recall of units purchased between August 1, 2021, and January 12, 2023. For more information, including how to identify this product, how to return it and how to get a full refund, please click the link below.

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Rappel de produit pour cause de sécurité

En raison de préoccupations en matière de sécurité concernant les boutons-pression des ensembles Infant Capilene® Midweight, nous procédons au rappel de toutes les unités achetées entre le 1ᵉʳ août 2021 et le 12 janvier 2023. Pour obtenir des renseignements supplémentaires, notamment sur la façon de reconnaître ce produit, de le retourner et d’obtenir un remboursement complet, veuillez cliquer sur le lien ci-dessous.

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Earth Is Now Our Only Shareholder

If we have any hope of a thriving planet—much less a business—it is going to take all of us doing what we can with the resources we have. This is what we can do.

Read Yvon’s Letter

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Treeline: The Film

Molly Baker  /  3 Min Read  /  Activism, Snow

Most trees in Japanese public spaces are highly manicured from the beginning of their life to craft a distinct aesthetic, like this intricate pine entanglement in the Yamagata Prefecture. Honshu, Japan. Photo: Garrett Grove

When we move through the forest in winter, we’re often left wonderstruck by snow-shrouded trees bent and morphed from years of wear in silent solitude. Their depth of character becomes evident as we weave ourselves into their lives and ecosystems. But we often tell our stories and not theirs. Our new film Treeline follows skiers and snowboarders as they move through three extraordinary forest landscapes across Japan, British Columbia and Nevada, exploring the connection between humans and our oldest living companions. This essay is part one of a four part series.

Trees are intertwined with human existence—through religion, in times of war, in standing for what we’ll fight to protect, with our hopes and wishes that we share. They stand implanted in our own history. There’s a whole world of legendary trunks out there, like the Bodhi Tree in India—the canopy under which Prince Siddhartha transformed into the Buddha. The Wishing Tree in Portland, Oregon—a horse chestnut that boasts the written hopes of both locals and visitors, who tie notecards to its branches until they’re whisked away by wind and rain. The Hiroshima Bonsai, one of the oldest bonsai in the world, that survived the atomic bomb in a nursery just two miles from the epicenter. Luna, the coastal redwood that Julia Butterfly Hill occupied for 738 days starting in 1997 to protect her from being cut by the Pacific Lumber Company.*

Treeline: The Film

Alex Yoder rides the line in a secret spot outside Niseko. Hokkaido, Japan. Photo: Garrett Grove

But a tree can’t vocalize or write itself into our records: We must assign them importance, even though they always stand taller, grander, and very often, longer than us. There’s a necessary humility that arises from simply noticing our barked, gnarled and rooted companions.

When we travel in winter through the forest, we are passing through the trees’ homes and communities, weaving ourselves into their lives and ecosystems, but we often tell our stories and not theirs. What about the intersection of us and the trees? Is it enough just to recognize that they’re there? Does this gesture make us a symbiont of the woody tribe?

Snowboarding or skiing through the trees is a lifeline, providing refuge for winter days when the alpine snowpack is sketchy. It’s pure joy. It’s powdery cruising in December when it’s dark at 3:30 p.m. and you’ve had your hood up all day—hooting and hollering through birch, spruce, cedar and pine—finding pillows to launch along the way. Forests can be a giddy, expansive playground and serious haven of safety, both at the same time. When we ride through a forest, we have a fleeting opportunity to notice how trees influence us, to understand how they redefine our own winter-loving lives.

*From Wise Trees, by Diane Cook and Len Jenshel, 2017, Abrams, New York.

This essay was featured in the November 2018 Patagonia Catalog.

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